Land of Shadows: A Medieval Mystery
Date: February 2016
Duration: 6 hours 53 minutes
A royal birth, a nobleman's death, and a scarlet woman's murder
In March 1279 Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter and one draws to an end as apoplexy fells Baron Adam Wynethorpe.
Hastening to the baron's deathbed is his eldest son, Hugh, a veteran of Edward's Crusades who can't shake off the battle horrors he has witnessed. The baron's daughter, Prioress Eleanor, has already arrived to tend to her father, bringing along her subinfirmarian, Sister Anne, and the monk Brother Thomas. Awaiting Hugh is his illegitimate son, Richard, a youth filled with rebellion-and a secret.
The royal manor is packed with troubling guests, including a sinister priest, an elderly Jewish mother mourning a son hanged for the treason of coin-clipping, contentious and greedy courtiers, and a lusty wife engaged with more than one lover. Quite soon, the wife is found hanged. Prioress Eleanor and Sister Anne persuade the high sheriff of Berkshire that Mistress Hawis' death was not a suicide. In fact, many at the manor had reason to wish Hawis dead. And one of the suspects is Richard.
In her twelfth novel, Royal once again "amplifies and deepens her series characters in the service of a clever plot that elevates her work to the top rank of historical mystery writers," as Publishers Weekly said in a starred review of Satan's Lullaby, the eleventh in a series recommended by Sharon Kay Penman and favorably compared to Ellis Peters' Cadfael books.
"Royal's thoughtful twelfth medieval mystery takes Prioress Eleanor and Sister Anne, a skilled 'sub-infirmarian' who nurses the sick, from Tyndal Priory to Woodstock Manor, where the prioress' father, Baron Adam of Wynethorpe, has been struck by apoplexy during a royal visit...Royal matches a clever story line with intelligent characterizations, while providing a disturbing look at anti-Semitism in thirteenth-century England."-Publishers Weekly